So right now, ABC’s Ugly Betty is on a mini-hiatus in order to allow Samantha Who? to finish its second season, as well as let In The Motherhood go through its entire six-episode first season. (Taking the FOX model of trying out six eps of a sitcom is actually pretty smart business, even if it is for a show that I keep accidentally calling Notes from the Underbelly, which is probably not a good sign.) This allowed me to catch up on the four backlogged Betty episodes that were sitting on my DVR, a pretty simple task considering how easy the show it to watch. But what’s been keeping me invested in this show, and, likewise, what issues do I have with the mini-run?
I love Matt. I think he’s a great foil for Betty, his relation to her industry allows for a type of romantic interaction missing from her Henry/Gio triangle (Henry worked at Meade, yes, but he was an accountant, so that doesn’t really count.) I think he’s a sweetheart, I think his bits of inner turmoil are entirely founded, and I like the way he is treated like an actual human being and not just a character cipher. When we last checked in on this blog, all we knew was that Matt was a sports journalist and cared very little about fashion. Now, we know he’s actually not only the heir to a disgustingly huge fortune, but he has so many notches on his bedpost that…some clever analogy. (Shut up! This is Ugly Betty.) And now, I think that he’s the best beau ever for Betty. Sorry, Gio fans, but I’m really pulling for Matt to become a major regular. Agree or disagree?
As Matt’s overbearing, snobbish and protective mother, Ms. Baranski fell right back into her glorious comfort zone after that appearance on The Big Bang Theory, which still annoys me to no end. She was completely miscast there. Here, she may be typecast, but it’s that wonderful kind of typecasting where it works perfectly. I desire more of her.
He returned in a big way, finally bedding Hilda when she realizes that his clean-cut city councilman image may just be a cover for a badder boy underneath. Between this and Beer League and My Cousin Vinny, as well as his appearance on Broadway as J. Pierrepont Finch in How To Succeed In Business Without Really Trying (taking over for Matthew Broderick when he left the cast in the mid-90s), I don’t know why he doesn’t get more active work, or why he’s barely in films anymore. He still looks effortlessly young, still has the comic timing learned from Mr. Miyagi, and yet still looks like he came from the downtrodden wrong side of the tracks. It’s a good combo. Why can’t he be the “best friend” in an Ed Burns movie?
She was used for about 45 seconds in one episode of the four. This is not proper usage of The Bern. Ultimate fail, UB.
Connor & Molly
So after all that love square madness between Connor, Molly, Daniel and Wilhelmina, Connor just suddenly decides to just up and leave in one episode, suddenly desiring to embezzle money from Meade Publications as well as try to steal Willy’s baby and leave the country. This twist came out of nowhere, was not in tune with the rest of his character, and made little to no sense. All it did was save the money it would take to pay the actor to show up to work. That’s the only thing I can figure out. It’s a shame that UB is having trouble keeping story arcs going this season, because the fact that they get completely abandoned every four episodes or so makes me not want to invest as much energy in this series as I assume they’d like. And giving Molly borderline inoperable cancer has, so far, been completely pointless as well. But at least she only disappeared for one episode and came back. The same can’t be said for Connor, despite showing up for a few seconds in a dream sequence.
Steven R. Schirripa
Between his appearance here as a competitive TV chef, SLOTAT‘s Sausage King and his TV food show that I’ve never heard of (thanks Wikipedia!), Steven R. Schirripa has effectively changed his typecast from mob family comic relief (Casino and The Sopranos) into being the go-to guy for any role revolving around food. I’m not sure if I’ve ever seen a shift like this, so it’s good that he’s a very amicable actor, both onscreen and on talk shows. It’s tough to not love that face.
I know that actress Ashley Jensen is on her way out at the end of the season and they have something big planned for her character, but that doesn’t mean that giving her about five lines over four episodes is allowable. She’s definitely in the top three best characters of the show, but you wouldn’t know it from the scripts. Fail.