I’m going to do things in bullet point format this week, as I have only a few things to say about this week’s results show/100th episode spectacular:
- While I wasn’t surprised to see Kayla and Jeanette in the bottom 2 (because Melissa and Jeanine were in two of the most highly praised dances of the night), I was surprised to see Evan escape being in the bottom two, sending Brandon there in his stead. I really love Evan, but I really think he’s outclassed at this point. That said, we aren’t looking for America’s Most Talented Dancer, but America’s Favorite Dancer. It’s sort of a Mark Kanemura situation, but I promise not to turn on Evan like I turned on Mark.
- Jason and Jeanette went home, and I think these were the right choices. Jason may be a slightly better dancer than Evan, but I think he lacks the sheer personality and liability that Evan possesses. Jeanette just had a bad week this week, landing with two dances that weren’t high-scorers and a confusing solo. All of the girls left in this competition are so good that all it really takes is a single bad week to give one the boot, despite her being the judges “favorite, favorite, favorite.”
- I’m replacing Jeanette with Jeanine in my Top 4 picks. Now: Jeanine, Kayla, Brandon and Ade.
- Jeanette, I’m glad you realized that you love dance and are really good at it, but please, please finish your finance degree. You’ve only got one year left! You can totally pull a Troy Bolton and choose dance and banking.
- The Mia Michaels routine to “One” from A Chorus Line: mocking Tyce’s usual Broadway work, or criticizing the heartbreaking, soul-taking, back-breaking work of being a professional dancer on Broadway, forced to conform to someone else’s idea in an overly synchronized, cookie-cutter fashion without any individuality or, if I’m to believe her robotic, toy-like choreography here, life? I mean, what else could those broken mirrors mean? Any way you slice it, it was an interesting play on the original concept from the show and deconstruction of the original choreography.
- Somehow, the Bench dance seems simpler now that I’ve seen some of Mia’s more challenging work (uh, hello assisted run in “Hometown Glory”!), but it’s still moving and beautiful. Truly, that number’s a classic. The part where Travis melts down the bench is just as thrilling as it was the first time I saw it.
- Watching the Hummingbird routine again actually made me wonder about some of the chatter I’ve been reading about the “overpraise” for Tyce’s cancer piece. I have to wonder: are the producer packages ruining some of the effect of the dancing for us, by explaining the conceits instead of letting the work speak for itself? Did some people immediately tune out of the work simply because they saw the headscarf (as I did and openly mocked it) and heard the producer package? Is that why so many people loved Mia Michaels’ Daddy-Daughter dance more than they should have? (Listen, it’s pretty, but that’s not her best work, even if it was her most heartfelt.) It was clear that the dance was about disease and dying without the package that explained it to us, just as the Hummingbird routine is absolutely clear in concept from the dancing alone. Which is as it should be.
- Another thought on the “overpraise” comments, courtesy of Magen: She says it isn’t so much that the piece was about cancer or the overexplanation, but that the judges didn’t discuss the dancing at all, but merely the issue, which makes their weeping praise unfounded. I can get behind that assessment, but bear in mind that simply because something is overpraised doesn’t make it any less good.
- By the way, I still love that Hummingbird piece. It was so uniquely created just for those two dancers, and could be developed into an excellent short ballet.
- Speaking of Wade Robson, seeing him dance in “Rama Lama” was just about the hottest thing I’ve ever seen. Seriously, I am super in love with him now.
- Wade was apparently replacing a dancer I DO NOT REMEMBER AT ALL from season two, even though he was Heidi’s partner until the Top 10. Do you guys remember Ryan Rankine? I just looked through a list of all the dances he performed with Heidi, and I don’t remember any of them. I vaguely remember the dance to “Bye, Bye Blackbird” he did with Allison, but I don’t remember him in it. I just see her in my head. Wow. I feel bad for the guy. If I don’t remember him, chances are other SYTYCDers don’t either. Maybe that’s why he didn’t come back!
- The Katie! Katie! Katie! Does Judy! Judy! Judy! segment wasn’t bad. Katie hoofed it pretty well, for what dancing was required of her. (Mostly posing, a little light softshoe, some lifts.) As for her “singing,” it really would have been more convincing that she was singing live if they hadn’t shown that stupid pre-taped and highly unnecessary introduction. (Although the white suit she has on in the intro is fibbity fab fab.)
- Still, my ideal version of this routine would involve Rufus Wainwright waiting backstage in full Judy drag, taking Katie Holmes offstage with one of those old-timey Shepard’s crooks and performing the number himself, just as he did during his 2007 Release the Stars tour.
- Also, when Katie was younger, I always thought her cheeks made her looked like a withered apple, sliding off her face and aging her before her time. Since she married Tom Cruise, I can only say that she’s gotten prettier, and, for some reason, her cheeks now appear to be in the correct place. They’re also bonier. Did she get cheek implants just to appease me? And how much did she look like Cameron Diaz to ya’ll now that her cheeks could cut glass?
- Cat wore a dress with a cat on it. I sincerely hope it’s Bob Mackie Wearable Art.
- Why didn’t I get to see a shot of the show’s 100th episode cake? I love 100th episode cakes!!!!
What did you kids think of the 100th episode spectacular spectacular? I pass the floor to you.