What a great character-driven episode, and what a great step forward for Glee. I loved Kurt’s arc and his fabulous dance performances in this episode. Caught dancing in a leotard (which wicks the sweat from his body) to Beyonce’s “Single Ladies,” Kurt tries to butch up for his dad by pretending he’s dating Tina and that he’s now the kicker on the football team. So, with Finn’s help, he “auditions” for the football team and manages to land the role of kicker simply by being able to deliver a Beyonce-fueled kick clear across the goal posts, something their previous kicker couldn’t do with or without the help of Beyonce.
But Kurt butching up for his dad isn’t the only thing hinged on McKinley High football. Quinn tells Finn that she’s pregnant (you know, from that time he came in the hot tub because he couldn’t think of hitting the mailman with his car fast enough), and that she’ll be keeping the baby. Finn, wanting to be a good guy and not just another “Lima Loser” like other teenage fathers he’s met, knows that if he wants to be able to support Quinn and their child, he’s got to get a football scholarship and go to college. The only problem is that the football team sucks. Hardcore.
Kurt suggests that the players loosen up by learning to dance, just as the Chicago Bears did with the Super Bowl Shuffle. I can tell you honestly that this isn’t just a myth, but that many professional athletes take dance lessons to improve their agility. Giants’s pitcher (and former Oakland A) Barry Zito used to regularly perform in the Nutcracker, and we’ve all seen how well athletes do on Dancing with the Stars. So, knowing that the football team’s reputation is on the line, Coach Ken Tenaka hands the team over to Kurt, who teaches them the “Single Ladies” routine.
But despite Finn’s heartfelt confession of his situation to Mr. Shuester and the goodness in his heart that inspires him to do right by Quinn, we all know its not possible for him to have fathered Quinn’s child, considering she’s the president of the celibacy club and they’ve never had sex. And Puck, our resident rakish, MILF-loving, pool cleaning lothario, knows that he is the only person Quinn has had sex with. Wanting her to admit what they’ve done, he spends the rest of the episode torturing her and Finn with his knowledge of the pregnancy. And Terri, learning of Quinn’s plight from her husband, sees a golden opportunity in it and sets in motion what will most likely become her plan to covertly adopt Quinn’s baby.
So with all this hanging in the air, McKinley High sets out to play football. At first, they get their asses handed to them, but with merely a second left on the clock in the fourth quarter, Finn takes a pregnant pause and calls a time out. He convinces his teammates that the only way they could possibly win now (and they so desperately need to — so they’ll have a chance at the championship, so they can get scholarships, so they can get respect) is to pull out their secret weapon play: Put a Ring on It. Rather than pass the ball immediately at the whistle, the whole team breaks out into the “Single Ladies” routine and confuses the hell out of the opposition. From there, they’re able to score a touchdown, which means that Kurt gets to be the hero of the game by scoring the winning extra point kick.
And all, it seems, is saved by the power of dance and the goodness of a little gay boy’s heart. I have to admit that I totally had tears in my eyes during Kurt’s final scene with his father in which he comes out to the man who has known all along, as all Kurt wanted for his third birthday was a pair of sensible heels. This scene, and Finn breaking down on Will’s shoulder totally got me.
Meanwhile, outside of the great parts of this episode described above, Sue has landed her own opinion segment on the local news and is speaking up for everything she believes in: caning, litter and so on. When the news station threatens to cancel her segment if the Cheerios continue to defect to the Glee Club, she reinvigorates her sabotage plans by blackmailing Principal Figgins (with his hilarious video from the time he was a steward for Mumbai Airways) to get Sandy back on campus as the school’s Arts Administrator. And Sandy’s first move as admin? Create a musical audition that will steal Rachel Barry away from Glee. Already jealous that Will wants to give Tina the West Side Story solo, Rachel readily takes the bait and when she sees that Will hasn’t changed his mind, she quits Glee Club for good.
It is a little disappointing how readily Rachel played into this scheme, but despite her seeming kindness and tendencies to be dumped upon by everyone, its also easy to see why she would be drawn to a place that wants her to have the star she so believes she deserves. A great arc for Rachel over the course of this season would be for her to realize that, sometimes, wanting what’s best for herself is a completely selfish act and that she should try to change those tendencies. Already, Will, Finn, Kurt and Quinn have grown and changed so much over four episodes, but Rachel, arguably the second lead, hasn’t.
I do think this was a wonderful episode, but I wish that the musical numbers had been better placed. Anything involving “Single Ladies” was great, but Rachel’s audition for Cabaret was not well-chosen or necessary, even if it was a “naturalistic” use of music. I was glad to hear Tina solo, but rather than the Rachel number, I felt like this episode needed to give Quinn or Finn a song to express what they’re going through. There certainly were moments where music could have worked, especially as Quinn ducks away to her car, in tears. I suspect she might have started singing along to a CD as she drove off, had Terri not been there to ambush her. Maybe the point was to break the expectations of the musical and not sing where we could all feel there should be singing? Or maybe, if Finn were to have a song, Ryan Murphy simply couldn’t get the rights to use Ben Folds’ “Brick?”
Stray thoughts and quotes:
- “Is the baby black?” — Kendra, in horror, to her sister Terri before Terri reveals she’s not actually pregnant. What a great nod to Nip/Tuck, where Jessalyn Gilsig’s character actually did give birth to a black baby after spending the entire season making Julian McMahon’s Christian Troy believe it was his.
- Dear sweet God, I absolutely need Emma’s baby blue sweater with the leaf detailing on the collar. This show is sweater heaven!
- “To all those naysayers who say you can’t strike children on their bare buttocks with razor sharp bamboo sticks, I say, “Yes, we CANE.” — Sue
- “My body is like a warm chocolate soufflé — if it isn’t warmed up properly, it doesn’t rise.” — Kurt, inadvertently also talking about his penis.
- “Not everyone has the walnuts to take a pro-littering stance, but I won’t rest until every inch of this state is covered in garbage.” — Sue
- Anti-embolism stockings are hilarious.
- “If I was out to get you, I’d have you pickling in a Mason jar on my shelf by now.” — Sue
- I’m sorry, Kurt, but as good as you look in that leotard and sparkly vest, you will never look as good as Joe Jonas, who has thighs so delicious I want to eat them. (Don’t worry about the dancing. Just stare at his thighs.)
Fun fact that I learned in an interview with Chris Colfer, the actor who plays Kurt: the coming-out scene was very much based on the similar conversation Chris had with his own father when he was younger. He didn’t get into specifics, but I have a feeling that pretty much everything Mike O’Malley said, aside from the “sensible heels” line, was close to verbatim. It was sweet without going too schmaltzy, but it also didn’t let some of his father’s prejudices off the hook. This is clearly a major point in Chris’ life having grown up in a very conservative town just outside of Fresno, California, and I’m glad he could share that with us.