Lists


The Wife:

It is well known around these parts that I love clothing. Here’s a list of my favorite pieces of clothing from television this year:

1. Blair Waldorf’s green backless Alexandra Avidal Thanksgiving dress from Gossip Girl 2.10 “The Magnificent Archibalds.”

Blairs Alexandra Avidal dress.

Blair's Alexandra Avidal dress.

2. Robin Scherbatsky’s grey, white and yellow Black Halo cut-out cocktail dress from How I Met Your Mother 4.1 “Do I Know You?” It comes in all sorts of color combinations. Serena Van Der Woodsen had a black and grey version on Gossip Girl’s “New Haven Can Wait.” It also comes in white, teal and black, as well as this “geranium” number.

3. Betty Draper’s polka dot party dress from Mad Men 2.8 “A Night to Remember.”

Betty Drapers amazing cocktail dress.

Betty Draper's amazing cocktail dress.

4. Blair Waldorf’s yellow Phillip Lim from Gossip Girl 2.3 “The Dark Night.”

5. Chuck Charles’ gold and black scalloped evening gown from Pushing Daisies 2.6 “Oh Oh Oh . . . It’s Magic.”

6. Peggy Olson’s black and white buffalo plaid sheath from Mad Men 2.10 “The Inheritance.”

7. Chuck Charles’ pink and silver A-line dress from Pushing Daisies 2.1 “Bzzzzzz!”

8. Nico Reilly’s purple Roksanda Ilincic dress from Lipstick Jungle 2.2 “Chapter 9: Help!”

Trust me, the dress is better on the body than on the hanger.

Trust me, the dress is better on the body than on the hanger.

9. Chuck Charles’ yellow linen coat with Peter Pan collar from Pushing Daisies 2.5 “Dim Sum, Lose Some”

10. Anything at all worn by Mad Men‘s Joan Holloway. It doesn’t matter what it is, because it’s all awesome.

Advertisements

The Wife:

I know we don’t usually foray into books on this blog, tending to focus our pop culture prowess on television and – if we ever get around to writing about them – movies. I often wonder about the question of accessibility and communal experience when it comes to books, and while I would say that they are currently a less accessible medium than movies or television, literature has a great history of influence over popular culture and I would be remiss to leave them out of a blog that claims to be dedicated to pop culture narratives. I spend a lot of time reading on the train, in addition to all the television I watch, and I wanted to share some proof of that with my readers. Here’s my reading list from 2008, complete with page count. (An asterisk indicates that a book is very highly recommended by me.)

    1) Don Quixote by Miguel De Cervantes* (Edith Grossman translation) (932 pages)
    2) Even Cowgirls Get the Blues by Tom Robbins (384 pages)
    3) The Pat Hobby Stories by F. Scott Fitzgerald (159 pages)
    4) Struwwellpeter by Heinrich Hoffman, Sarita Vendetta and Jack Zipes (124 pages)
    5) This Side of Paradise* by F. Scott Fitzgerald (244 pages)
    6) Ahab’s Wife: Or, the Star-gazer by Sena Jeter Naslund (704 pages)
    7) Slam by Nick Hornby (304 pages)
    8) Skinny Legs and All by Tom Robbins (422 pages)
    9) Breakfast of Champions by Kurt Vonnegut (303 pages)
    10) House of Leaves by Mark Z. Danielewski (709 pages)
    11) The Life of Language by Sol Steinmetz and Barbara Ann Kipfer (400 pages)
    12) The Grapes of Wrath* by John Steinbeck (455 pages)
    13) Women in Love by D.H. Lawrence (560 pages)
    14) In Defense of Food* by Michael Pollan (244 pages)
    15) I Was Told There’d Be Cake by Sloane Crosley (240 pages)
    16) The Corrections by Jonathan Franzen (576 pages)
    17) Then We Came to the End by Joshua Ferris (385 pages)
    18) The Brief Wondrous Life of Oscar Wao* by Junot Diaz (355 pages)
    19) The Yiddish Policemen’s Union by Michael Chabon (418 pages)
    20) Um: Slips, Stumbles and Verbal Blunders and What They Mean by Michael Erard (320 pages)
    21) The League of Extraordinary Gentlemen, Vol. 1 by Alan Moore and Kevin O’Neill (176 pages)
    22) World War Z by Max Brooks (352 pages)
    23) All the Sad Young Literary Men by Keith Gessen (256 pages)
    24) Paradise Lost by John Milton (442 pages)
    25) A Cook’s Tour* by Anthony Bourdain (288 pages)
    26) Blindness by Jose Saramango (304 pages)
    27) When You Are Engulfed in Flames* by David Sedaris (336 pages)
    28) The Greek Plays* by Ellen McLoughlin (240 pages)
    29) On the Road by Jack Kerouac (320 pages)
    30) Twilight by Stephenie Meyer (544 pages)
    31) My Antonia* by Willa Cather (226 pages)
    32) The League of Extraordinary Gentlemen, Vol. 2 by Alan Moore and Kevin O’Neill (228 pages)
    33) The History of Love* by Nicole Krauss (272 pages)
    34) The Black Dossier by Alan Moore and Kevin O’Neill (220 pages)
    35) The Sound and the Fury by William Faulkner (326 pages)
    36) Decantations by Frank J. Prail (320 pages)
    37) Madame Bovary by Gustave Flaubert (336 pages)
    38) New Moon by Stephenie Meyer (563 pages)

Total Pages Read in 2008: 13,987

The Wife:

Happy Holidays, ya’ll! As I sit at home enjoying my well-preserved end-of-year vacation (watching A Muppet Christmas Carol), I started to look back on the year in TV. Even though the writer’s strike stalled a lot of shows, I think we still got a pretty good year of television in. Sure, there weren’t many pilots appearing this fall and, certainly, a number of good shows fell victim to low-post strike ratings and will soon be leaving us for good, but I’d like to take this time to praise some of my favorite moments of scripted television from 2008.

1. Mad Men 2.7: “The Gold Violin”

The other best of ’08 lists I’ve been reading have been heaping their praise on “Flight 1” and “Meditations on an Emergency,” season two’s opening and closing episodes, respectively, but “The Gold Violin” is definitely my favorite episode from season two. This episode was the most magical, literary hour of television all year, utilizing the surprisingly talented Ken Cosgrove’s unpublished short story “The Gold Violin” as a framing device for all of the characters. The violin itself is “perfect in every way, except it can’t make music,” and I think that’s an apt metaphor for many of the things that happen in this episode. Kitty and Sal’s marriage is perfect in every way. They’re best friends. They get along grand, but Sal doesn’t love her romantically and he never will. (Because he is a gay man with a beard, in case you were confused.) Don Draper’s marriage appears perfect in every way, only it is absolutely not working. And every symbol of power and status he achieves somehow becomes imperfect, like the brand new Caddy Betty Draper throws up in when she finds out that Don had been cheating on her with Bobby Barrett. There’s Joan, who is beautiful, curvy, smart and powerful – the perfect woman for a rapidly changing world, except she doesn’t have love and sees the new model of the secretary as a threat to her power and status, especially when that girl endears herself to Joan’s ex.

This is one of Dyna Moes Mad Men illustrations, spawned from a Christmas card she created for cast member Rich Somner. Click through this to visit her Flicker page where you can buy this and other nifty Mad Men prints.

This is one of Dyna Moe's Mad Men illustrations, spawned from a Christmas card she created for cast member Rich Somner. Click through this to visit her Flicker page where you can buy this and other nifty Mad Men prints.

Ken Cosgrove, to me, seems to be the opposite of this. He’s so imperfect. So unthinking, and yet, he’s the only person at Sterling Cooper who’s actually accepted for his artistic endeavors outside of S-C. (Sal’s not making any money as an artist. Paul Kinsey can’t get published and he’s actually a real writer, constantly being shown up by the office sales buffoon whose main job seems to be to get women for clients.) Ken gets what he wants by not actually wanting anything or being powerful at all. I love this episode; it’s about shattering the image of the American dream, and it shows us those shattered dreams beautifully. The writing here reminds me a bit of O. Henry and Fitzgerald, and I could watch it for its subtlety and intellect more than any other Mad Men episode. Watch it again and I think you’ll start to appreciate the perfection that is this episode.

2. Lost 4.5: “The Constant”

Best episode of Lost. Ever. Further playing off the show’s intense mythology built upon pre-existing literary and philosophical texts, this episode takes Desmond David Hume and turns him into Billy Pilgrim, making him unstuck in time. And what’s the only thing we have to hold onto when we come unstuck in time? Love. There is no greater Lost moment than when Des makes his call to Penny at the end of this episode, realizing that it is she who is his constant, the one thing that kept him alive on his Odyssean journey to find her that got him trapped on Lost island with the other castaways. That moment is revelatory, breathtaking and heartbreaking all at once.

3. How I Met Your Mother 4.7: “Not a Father’s Day”

Drunk Baby Lily. That’s all I have to say. This is Alyson Hannigan’s finest comedic work on this show to date in an episode that proves the almighty power of a tiny baby sock.

4. Gossip Girl 2.3: “The Dark Night”

I had to pick this one, because it’s the episode that turned me into a Gossip Girl fan. It’s rare to see a teen soap have such beautiful production design and so many well composed shots, but I have to give complete artistic props to the Gossip Girl team for creating the gorgeous lighting in Blair’s bedroom for the scene in which Chuck seduces her in the dark. The image of him kissing her neck in her yellow Phillip Lim dress reminds me of early 19th century portraiture, but I’ve never seen anything more beautiful than the way it’s achieved on GG. Blair and Chuck forevah.

To quote Paris Hilton, thats hot.

To quote Paris Hilton, that's hot.

5. Pushing Daisies 2.3: “Bad Habits”

This episode certainly doesn’t have the whimsy and color and fun that so many episodes have. And Chuck was in a nun’s outfit the whole time, so there weren’t any fun costumes. But, this was the first episode where Olive got to be a part of the mystery and the location of the mystery forced alive again Chuck to have a small existential crisis about her post-existence. When she sits in the church next to Ned and quietly utters, “I am a person with no past and no future because of what I am,” my heart broke a little bit. Sometimes, Pushing Daisies makes me cry for sweetness, like how I can’t get through the popcorn tossing scene in Tim Burton’s Big Fish (or even think about it) without welling up in tears, but this episode, Pushing Daises made me cry because I realized how sad life must be to be alive again just at the moment Chuck did. This was a beautiful, thematic episode that belongs right next to the better episodes of Wonderfalls and Dead Like Me in the Bryan Fuller canon.

6. Lipstick Jungle 2.8: “Chapter 15: Sisterhood of the Traveling Prada”

Unlike Sex & the City, the ladies of LJ are best when they’re taken out of their element. At Christine Ebersole’s health spa in upstate New York, Wendy takes time to contemplate her recent devastating firing from Parador Pictures and figure out just how to get back in the movie-making saddle, Victory finds out the hard way about Joe’s almost-proposal and finally stands up to her friends about their overprotective nature before deciding that she needs to make amends with Joe and Nico wonders what it would be like to buy the spa and retire from big city publishing altogether. Being outside the city allows each of the ladies to realize something about themselves: Wendy finds her drive again; Victory realizes that she loves Joe, exclaiming to the stars the rallying cry that she would have said yes; and Nico realizes that she and Kirby really are at different places in their lives. For all the joy and self-discovery and female friendship, there is no better moment on this episode or the series as a whole as when Victory, hoping to make amends with Joe and ride home with him to Manhattan, gets handed an envelope with the papers to return her business to her and is left on the side of the road to watch Joe’s limo pull away without her. Thank God, Nico and Wendy stole Joe’s scotch. Free, expensive scotch is necessary after a moment like that.

7. Fringe 1.8: “The Equation”

This was the first in a string of truly great episodes leading up to the winter break, and I chose it for this list because I found it to be not only important story-wise, but also very atmospheric in its storytelling. I loved everything with Joanne Ostler and her underground music lair full of VR equipment, all of which lent a very X-Filesish atmosphere to the episode. But the best part of this episode, hands down, is Walter’s voluntary trip back to the loony bin to get information out of Dashell Kim. Walter risks his life and his mental health to help the cause, and you can see him die a little bit inside, radiating fear, when he enters the doors of St. Claire’s. John Noble’s best performance to date is this episode, showing that the odd root-beer loving mad scientist is all too human inside.

8. House 4.14/4.15: “House’s Head/Wilson’s Heart”

Not only were these episode’s cool from an aesthetic point of view, they were also a great two-part arc in which an amnesia-stricken House must try to figure out the missing person he was riding the bus with when it crashed. When that person turns out to be Amber, Wilson’s girlfriend, the new team races to save her, only to find that she had been taking too many painkillers and cold medications prior to the crash which weakened her to the point where she couldn’t be saved. For a minor character, Amber a.k.a. Cutthroat Bitch was a major force on house. Anne Dudek imbued this role with so much power that the loss of her from the House universe was devastating. I cried, and House is not a show that demands any emotional attention from me. (Damn your puppy dog face, Bobby Sean, for forcing tears out of me!)

9. 30 Rock 2.14: “Sandwich Day”

This episode set up Jack Donaghey’s downfall, establishing a great character arc of him in the coming episodes, as well as lots of Will Arnett. Also, nobody cheats Liz Lemon out of a teamster sandwich. Nobody.

10. Chuck 2.7: “Chuck vs. the Fat Lady”

Lots of fun puzzles, lots of fun bonding between Chuck and Jill and lots of disappointment at the episode’s end when we realize that Jill has been playing Chuck all along and that the poor dude will never get to be happy. Chuck’s such a likable guy, and it’s a shame that he will seemingly never be able to have a normal life again. Also, Casey can hit a high C. That’s just a good fact to know.