The Husband:

I’m sorry to say it, but it hasn’t been a very good two weeks for Animation Domination. The only episode I unabashedly liked was King Of The Hill (which focused almost entirely on a verrrrry supporting character), then about half of an American Dad and a third of a Family Guy. The rest had their moments, but something just seemed to be in the water over at Fox and all the offices and buildings where they make these shows. I’ll just get last week’s KOTH out of the way, pretty much.

King Of The Hill 13.13 “Nancy Does Dallas”

When Dale’s wife Nancy breaks a silly but attention-getting newstory at Arlen’s local affiliate, Dallas takes notice and invites her to become an anchorwoman with them. And Dale couldn’t be happier, even if this means she’d be hours away for days on end making her dreams come true.

“Come on, you’re a genius at making something from nothing. You made Joseph.” – Dale to Nancy

Arriving in Dallas, Nancy notices the major strife between the male and female lead anchors Gwen and Wade, and tries to exploit this hostility as much as she can.

Gwen: I hate that man.

Nancy: I always thought you and Wade were having an affair.

Gwen: We are. It’s good for ratings.

Unfortunately, Nancy gets so in over her head with ego and douchiness that it’s rubbing everybody the wrong way, and when she drunkenly collapses off of a parade float, it’s curtains for her. This is fine, since Dale, now unsupervised, is wreaking his own special havoc on Arlen, resulting in him nearly setting his own house on fire. But when Nancy finally returns, it becomes clear to their neighbors that while Nancy does a good job at keeping Dale on a tight leash, he has his own power over Nancy, her drinking and her ego.

This episode also had the best quotes of all seven episodes I collected for this write-up. Here are some of the ones I jotted down:

  • “Breakfast race!” – Dale and Joseph
  • “That wasn’t even a story. It was just a bunch of ‘ifs.'” – Hank
  • “Nancy, your prison fan mail is about to quadruple!” – Dale
  • “Security breach! Joseph, sniff the bags.” – Bobby
  • “Dale, you giblet-head!” – Hank
  • “It sure is great that you’re home, and not just for fire-retardant purposes.” – Dale to Nancy

Now onto the lesser eps, grouped via show.

The Simpsons 20.14 “In The Name Of The Grandfather”

When Homer forgets to show up at the retirement community’s father/son day, Homer learns of Abe’s very own bucket list and decide to follow up on one: to revisit Tom O’Flanagan’s Pub, where Abe had one of the best days of his entire life. Problem is, Tom O’Flanagan’s Pub is in Ireland, so the family jets out to the Emerald Isle to fulfill this wish. Unfortunately, Ireland is no longer the quaint village-driven country of yore and instead has been yuppified, including the presence of rhyming Yuprechauns. The bar, however, still exists, but it hasn’t been patronized in ages (despite having cabbage on tap). When Abe and Homer share a good drunken night with Mr. O’Flanagan, they wake up the next morning having discovered that they bought the pub while intoxicated, so to keep business up they allow the now-illegal practice of smoking inside bars, attracting all those patrons who feel cheated by the recent law.

I’ve spent some time in Ireland (three times to be exact), and there was definitely a noticeable difference in spirit between my second and third time visiting wherein the law was passed. I do not smoke, and I do not appreciate it as a lifestyle choice, but I just always associated Ireland with smokey bars, and something just felt off.

In a bar once I met this guy Dewey. And he bought me, like, 14 beers. And he told me that he was from Ireland, so I lived with him 10 years.

In a bar once I met this guy Dewey. And he bought me, like, 14 beers. And he told me that he was from Ireland, so I lived with him 10 years.

Unfortunately, the episode just kind of sputtered along, and other than the remarkably esoteric send-up of the Academy Award-winning film Once (“Stop buying pianos for my wife!”) and the amusement I had in recognizing that The Simpsons had no freakin’ clue what the Guinness factory actually looked like, it was pretty much a bust.

Some quotes:

“It’s like getting a backrub from an orgasm.” – Carl re: hot tub

“Lousy old man, making me look up at an airplane…” – Homer

“So it’s our syntax you’re criticizing!” – Irish cop

The Simpsons 20.15 “Wedding For Disaster”

What could have been a very sweet story goes awry when the show takes a page from that really bizarre Marilyn Monroe-Ginger Rogers ensemble film We’re Not Married when Reverend Lovejoy realizes that, due to some legal mumbojumbo, several of the ceremonies he blessed were always invalid. This would include Homer and Marge’s second marriage, and so the two of them decide to throw a third wedding, this time pulling out all the stops. But as Marge begins to turn into a Bridezilla, Homer begins really resenting her, to the point where he doesn’t even show up at their wedding.

Ah, but he’s actually been kidnapped and put into a Saw-like torture room, where he has to do such tasks as get to the key in the center of a hot sauce lollipop. Meanwhile, Bart and Lisa track some clues, including a keychain initialed “SB,” to Sideshow Bob, who for once has nothing to do with tormenting the Simpsons. Turns out, it’s just Patty and Selma Bouvier playing a trick on Homer, but when they look on, via a security camera, Homer read aloud his written vows to Marge, they relent and let him go.

The wedding stuff was nice, but the rest was far too haphazard and/or introduced to late to be either clever or properly referential, and so it’s another mostly laughless episode.

I also wonder how many people got all the Bing Crosby jokes in regards to the Presbyterian pastor who came to town and acted as a catalyst to Lovejoy’s story. Hint: rent the best picture winner Going My Way.

Family Guy 7.10 “FOX-y Lady”

Michael Moore jokes are so 2004, and jokes about handicapped ducks are so…never. And that’s pretty much all this episode was about.

First, Lois gets hired as an investigative reporter at Fox News, and aside from a not-bad Ann Coutler slam and Brian doing a pretty piss-poor job at vocalizing the country’s true problem with the troubling network, we didn’t get much. It was interesting to find out, however, that Michael Moore and Rush Limbaugh are actually both simply characters created and acted out by Fred Savage (among many other celebrities I did not write down), and thus Mr. Savage’s bizarre second run of his career (or if I counted that show Working, this may be his third career run) continues down a line of strange “underground” comedy such as this and episodes of It’s Always Sunny In Philadelphia.

Meanwhile, now that Lois is affiliated with Fox, Peter and Chris decide to create their own animated sitcom for the network, which becomes the poorly animated and unsubtle Handiquacks, featuring such characters as Red Heinie Monkey, Col. Tushfinger, Poopy-Face Tomato Nose and Bitch Duck. When South Park created the show-within-the-show of Terence and Philip, it was a way to hit back at the critics who called their show poorly animated and vulgar, showing them what a truly shit-animated and vulgar show looked like, and that in itself was a bold statement to make. Handiquacks is no Terence And Philip, though, so the point was completely lost amidst the dumbness.

Okay, there was one incredibly funny moment, when everybody around town is screaming, and we cut to Adam West sitting on a park bench.

“Aaaaaaaaa…I have to get all the A’s out of my body. Aaaaaaaaa…”

Family Guy 7.11 “Not All Dogs Go To Heaven”

Atheism and its relation to religion is a tough thing to deal with and even harder to turn into a proper narration, so I wasn’t surprised that FG ultimately failed to explain itself and its concept of secularism. Me, I’m baffled at how misunderstood atheism truly is. Religion does not corner the market on morality, and despite the fact that I do not believe in a god(s), that does not mean I believe in nothing. That’s nihilism. I believe in the goodness and spirit of my fellow man and have an optimism about the human race and its own concepts of morality, and I don’t need to worship somebody to get that done. I don’t need to reread a book hundreds of times to do that. But you wouldn’t know that from this episode, and so I consider its base-level understanding of the atheism-religion battle to be completely unimportant and pretty much dumb.

But as Meg and Brian go through that argument, one-third of the episode is hilarious. That would be Stewie’s story, where he gets so huffy about not being to ask Star Trek-related questions at a sci-fi convention that he teleports the cast of Star Trek: The Next Generation into his bedroom and tries to continue along his own line of questions, only to realize that the entire cast is immature, silly and continues to harbor 15-year grudges against each other.

LeVar and I were going to pool our tickets together to get the fuzzy troll pencil topper!

LeVar and I were going to pool our tickets together to get the fuzzy troll pencil topper!

(I also must point out that Gates McFadden, a.k.a. Dr. Beverly Crusher, taught a class on clowning my sister attending during her time at USC, a fact I’ll never tire of telling people.)

And this section had a great variation of visual jokes (the unknown-to-me Denise Crosby getting shot after one line) and great lines.

Stewie: Hey, did you hook up with Whoopie Goldberg on the show?

Patrick Stewart: All the time.

“Look at me! I’ve got girl boobs!” – Patrick Stewart

Too bad the Stewie-with-TNG story was so short. I would have watched a two-parter just about that situation. But nope, my wish was not fulfilled.

Some good stuff:

  • The bevy of 90s references for a show more known for its influx of 70s and 80s references. This would include name-dropped Dan Cortese as well as a short bit regarding Calvin & Hobbes.
  • “Why would he wear these?! Who would make these for him?!” – Peter after looking through the LeVar Burton TNG shades, which turned every person he saw into a KKK klansman.
  • The inexplicable live-action ending with Adam West and Rob Lowe.

American Dad 4.14 “Bar Mitzvah Shuffle”

Here’s the episode that I like half of. To be fair, I actually liked the central story quite a bit from a plotting perspective, but can admit that it wasn’t necessarily very funny. And since this is a sitcom, that’s sort of an issue with which we shouldn’t have to deal.

When Steve learns that Debbie, his chubby girlfriend, is starting to have eyes for the ridiculously egomaniacal Jewish peer Etan Cohen (voice of Seth Green), he decides to try to ruin the kid’s bar mitzvah.

“I like my women like I like my dreidels – bottom-heavy.” – Etan

(I was going to make a point as to why they decided to choose the name Etan Cohen, like the screenwriter of Tropic Thunder and Madagascar 2, who is also not to be confused with Ethan Coen of the Oscar winning Coen Brothers, but then I noticed that the real Etan is one of AD’s producers and a former writer. Just another weird in-joke, I guess, like Neil Goldman over on FG.)

It was an inside joke all along . . .

It was an inside joke all along . . .

The manner in which Steve, Roger and Snot go about to destroy the bar mitzvah, with its Ocean’s Eleven references (and pretty much any heist movie post-Rififi), was pretty ingenious, involving several switches and a nasty double-cross by Roger (who just wanted to put on a silly accent but wasn’t allowed to.) But unlike most Steve-centric episodes, there were very few great nerd references or Roger non-sequiturs, so I just can’t in good conscious give it a positive review.

American Dad 4.15 “Wife Insurance”

Despite the genius Amy Sedaris doing not one but two voices in this episode, it was another blah episode from a show I desperately love, but also desperately want it to return to its peak sometime midway through season 3. When Stan gets lost during a mission, Francine is completely devastated, until Stan returns home (thanks to a fellow spy who can get out of any predicament by seducing women with a verse of Marc Anthony’s “I Need To Know”) and devastates her in his own very special way – by telling her on Valentine’s Day that he has a back-up wife, his dentist Meg, who he lined up years earlier just in case Francine kicked the bucket. To get back at him, Francine decides to make Stan’s spy friend her back-up husband, resulting in many confused hearts and a brutal bit of hand-to-hand combat later on. (And somewhere in the middle, the handsome spy pushed Stan out of a moving plane, who survived when he landed on the World’s Biggest Falafel.

Other than some quick bits regarding the return of Steve and Rogers TV detective duo Wheels & The Legman, as well as a the reappearance of Reginald the CIA koala, not much was very funny about the ep. And once again, this is a comedy, so that’s an issue. Stan’s stories especially this week have been more desperate and bizarre than laugh-inducing. Maybe somebody should sideline him until they find a story that really works, like in s3 when he traveled to Heaven, and we learned that Jim Henson isn’t dead so much as stuck in the Phantom Zone with Kermit.

The two lines I liked from this episode, one severely tasteless, the other punny but funny:

  • “In two hours I can have a dead baby stuffed with heroin planted in your mom’s car.” – Steve
  • “My heart has a cavity that only you can fill.” – Meg the dentist