Bones finale, while I enjoyed your silly alternate universe mystery that could have been Booth’s coma or Brennan’s erased fantasy manuscript or both at the same time, you were a weird, weird way to do a season finale. Although, really, how else would you have managed to solve a murder while Booth lay in a four-day post-surgical coma? If I accept the fantasy manuscript as what that story was, then I appreciate that it functioned to subconsciously illustrate Brennan’s feelings for Booth, as she would never be able to say them in real life. And I wonder if the crux of next season will be Brennan dealing with those feelings in light of the fact that Booth, tumor-free, now doesn’t know just quite who this woman he’s spent the last four years of his life with is. Memory loss is a bit of a hoary trope, usually relegated to daytime television, but I have faith that Bones will transform it into something useful next season.
That said, let me talk about things I enjoyed about this weird alternate universe:
- Excellent use of every intern (save for the woman from the airplane caper and Michael Badalucco), even Zack.
- Fischer as the chef made me long for Kitchen Confidential, which was better than FOX thought it was.
- I am sad that Eugene Byrd’s Clark had to play entirely toward type as a hip hop superstar C-Sync, who wants to play at The Lab, the club run by Booth and Brennan.
- I am, however, happy that Pej Vahdat’s Viziri got to play away from being defined by his religion and got to be a slick rival club owner, which is still kind of a Persian character type, but a much cooler one.
- Daisy is a sloot in any universe.
- It is perfect for psychologist Sweets to be a bartender, as bartenders are just as good as listening as shrinks are. And charge less by the hour.
- Wendell Bray is the perfect bouncer, as I think this kind of 100% street-smart tough guy is exactly what he would be without his medical knowledge.
- I have never loved Mr. Nigel-Murray more than as an adorable British DJ in this episode. He should always wear a hat in the lab. His best line? “I’m not going to fare well in jail. I’m lovely.” Yes, sweetheart. You rather are.
- Zack was apparently Brennan’s assistant. I guess a club owner might have an assistant, but it seems like less of a fit than the rest of the characters in this episode.
- Alternate universe Hodgins is a crime writer, and that’s pretty cool.
- Alternate universe Angela was basically Angela, but without computer skills. She wore a super cute pink-striped dress at one point though, and I just found it: It’s Marc Jacob’s Crosstown Sleeveless Dress, and it’s at Neiman Marcus for $428. I. Am. Awesome.
- I loved that Sweets band was called Gormogon, and yet played lovely, sunny pop-rock music. JFD is a fine singer, and I also loved the callback line: “Some people think that I’m Gormogon, but I’m not.”
- I totally believe that Booth would run a club if he weren’t in law enforcement, because that’s probably what his little brother should be doing now that he isn’t in the military anymore. They switched roles!
It is completely unbelievable that Brennan would run a club and remain so logical and fastidious. I could see her running a business, yes, but something that makes medical devices or computer parts or something. I do not see her as the kind of person who makes a business of entertainment, and that rang through loud and clear to me as her character said things about how she prides herself on being logical throughout the course of the investigation by Cam and Jared Booth. Everyone in the alternaverse was an alternate version of themselves, except for Booth and Bones. Booth’s transition made sense, Bones’ didn’t. And if she wrote the story, I’m not really sure why she would choose to insert herself into that character, other than to pair herself with Booth as husband and wife.
I guess the ‘shippery moments were pretty hot, although I find the alterna-Booth and Bones pregnancy discussion less cute than false. I don’t know, gang. This was a weird one. And Mötley Crüe was there. Why? I’m mostly just kind of confused as to how this functions as a season finale.
By the way, my pick for Interns next season would be a rotating schedule of Vincent Nigel-Murray, Colin Fischer and Wendell Bray, because they’re clearly the best. And we’ll get enough of Daisy since she’s all up on Sweets 24/7.
I was going to wrap up my intern-of-the-week for this season by stating my preferences for who should return, but my wife pretty much nailed it. Fischer is great comic relief for a geek like me, but Bray is the best character and Nigel-Murray is the most interesting in terms of sheer knowledge. I would have loved to see Badalucco return, but that Emmy-winning star is just too expensive or busy, I guess.
So I’ll just have to settle on a quick commentary of the final episode. I think it was cute but ultimately disappointing. If this was an attempt at trying to turn into Moonlighting, a show that constantly shifted realities for random episodes just because they could. (One episode starts with a dude reading Shakespeare while watching Moonighting, so the episode had Willis and Shepard solving a case while being characters from The Taming of the Shrew.) But Bones, while often subversive of the modern standard procedural, is still far more serious than that show ever was and still has a reality to maintain, a reality millions of people love. And so, this episode was not nearly as interesting as my new iPhone. (Not a whole lot is, technically, but I make sure to use it as little as possible if I’m watching something I really give a shit about.)
I also don’t really care what people have to say about whether or not Brennan and Booth had sex in the real world or in a fantasy, because goddamn it, it’s supposed to be ambiguous. Just like the final sequence on Grey’s Anatomy. We’ll find out this fall. Stop freaking out with your theories, online douchebags.
And hopefully, this fall will also see Zack’s return to the Jeffersonian. I miss that apprentice twerp.