The Wife:

Sheldon gets an offer to go on an arctic expedition, and the whole gang is pretty excited about three months living free of Sheldon’s rules, until he invites them along with him to be his research team. (Not because he values their work or trusts them, but because he simply doesn’t want to interview other candidates and attempt to get to know them.) Even though I can’t really imagine how a physicist, an astrophysicist and a mechanical engineer, let alone theoretical physicist Sheldon, would be beneficial to a scientific expedition in the Arctic Circle, but the gang decides not to let the opportunity pass them by and they accept. But, of course, accepting an offer doesn’t mean that any of these guys are actually able to make their own choice, as Raj’s parents are strictly against him going, and Howard’s mother was only going to let him go to the Arctic Circle when she thought it was Arkansas and as for Leonard . . . well, Penny doesn’t really want him to go.

Nor does she really want Sheldon to use the walk-in, but what can you do?

Nor does she really want Sheldon to use the walk-in, but what can you do?

Now, Leonard is confused by her display of ambivalence toward his announcement that he’d be heading to the Arctic Circle, because he has no idea how to read her reaction. Here’s how to read it: it would have been nice to tell your only non-University friend that you were going on a three-month research trip. It doesn’t matter if she apparently secretly loves you or that you would totally pine for her while you’re gone (because you will, Leonard, you will). It’s just kind of something that humans do when they’re going to be away from other humans in their life for an extended period of time. Of course, Penny’s assertion that this would have been nice to know is layered with her apparent love for Leonard, proven in the gift of a lingering hug (at least 5 Mississippis long) and a Snuggie/Slanket . . . whatever they have to be called on non-infomercial television. But when Leonard questions Penny about what those things mean, she gives him the cold shoulder (Husband Note: HaHA! Cold shoulder. Because he’s going to the Arctic Circle!), and so he and the others go off the Arctic Circle, where they basically lead their regular lives but in snow pants and with reconstituted Thai food.

Things I thought were funny:

  • Sheldon’s attempts at pranks, which at this stage seem to consist of taking things and then asking someone to find them before then presenting them with said thing. He’s trying so hard to be a real boy.
  • A walk-in freezer really is a pretty good way to train yourself to perform tasks in a below zero environment.
  • “Everyone at the university knows I eat breakfast at 8 and move my bowels at 8:20.” – Sheldon

The Husband:

What a terribly awkward season finale. I even knew it was a season finale earlier yesterday, but the way that the episode seemed to essentially abandon its characters’ most interesting and recognizable quirks, it almost seemed like the end was an afterthought. What a better show would have done would be for it to work some of the Stuart “arc” into the finale and have a truly interesting dynamic between Penny and Leonard in re: their relationship, instead of the basement-level shrug of what actually occurred, as if neither of them had learned anything since the beginning of season 1.

But whatever. I laughed at Sheldon’s antics, even if, like the rest of the characters, he had been reduced to a single note, instead of the admirable work most of the actors do on a regular basis.

Chuck Lorre, I’m glad that your sitcoms do well, but can you please create something that has even a semblance of continuity and multi-episode storytelling? Or a personality?

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The Wife:

I think this Sheldon quote basically sums up the episode’s B-story:

“Apparently, there is no law of diminishing comic returns with space poop.”

And indeed, this episode managed to sustain an entire story based on jokes about the malfunctioning Wallowitz Zero Gravity Human Waste Displacement System a.k.a. the space toilet Wallowitz invented. This is what the boys spend their time working on while Stuart takes Penny out on a second date, after soliciting advice from Leonard. Wallowitz advises that Leonard preserve his friendship with both parties by advising Stuart to do everything Leonard did, thus preventing him from hooking up with Penny but still maintaining a friendship. After awhile, Leonard starts to feel badly for sabotaging Stuart’s date with Penny and apologize for giving both parties bad advice (Penny asked him for some info on Stuart, as well), but Penny is loathe to discuss her date with Leonard at all, which makes him think Stuart did something unconscionable at his behest. So he heads to the comic book store, where he finds out that Stuart actually followed his advice to the T, which lead to Stuart and Penny making out . . . only to have Penny utter Leonard’s name whilst she and Stuart were getting hot and heavy, thus putting an awkward kibosh on any further Penny-Stuart contact. This, clearly, pleases Leonard a great deal.

You have no idea how much it upsets Sheldon to have a space toilet where his coffee table should be.

You have no idea how much it upsets Sheldon to have a space toilet where his coffee table should be.

So here’s my issue with that: I like Stuart, and I honestly think that his interest in non-comic art grounds him more to the real world and to the struggling artist’s world in which Penny lives. They’re still opposites, but with some commonality that would allow a relationship to function. I guess he’s not quite as cute as Johnny Galecki is, but when it comes down to it, neither of these guys are guys Penny would normally date, so comparing their physical attractiveness is a moot point. Her affection for Leonard surfacing while kissing Stuart only works in the sense that I believe she does have feelings for Leonard, in a besty-best-friends kind of way, which sometimes might be misinterpreted as meaning something else. When it comes down to it, though, I just don’t believe that Leonard and Penny would work. In fact, they both already know it won’t. And it’s because they lack any commonality other than eating takeout together with three people nerdier than they are. But I guess I have to suspend my disbelief as Leonard’s crush on Penny is essentially the impetus for her involvement with them in the first place and so many plots function because of his slight jealousy that she might love someone other than him. I know that the series will end, likely, with the two of them together, so why rush other romantic partners out of the picture so soon, when the series is not going anywhere for at least another season? Stephanie all but disappeared, doomed to wandering the physics lab with Barry Kripke and other forgotten characters. Must we banish Stuart to that cold, linoleum hell, too? I like Stuart. Please don’t let this be his end.

The Husband:

Raj for the win:


If you really want to clean up your karma, go get my frickin’ latte.

The Wife:

It was only a matter of time before Leslie Winkle grew tired of Howard Wallowitz, and that time has come. Strangely, although they claimed to be friends with benefits, Howard is quite crushed by Leslie’s rejection and so Sheldon suggests that the gang take him to Vegas to make him forget his troubles (“You know, I’m given to understand that there’s an entire city in Nevada devoted specifically to help people like Howard forget their problems. They replace them with new problems such as alcoholism, gambling addiction and sexually transmitted diseases.”). Raj and Leonard head off to Vegas with Howard, while Sheldon stays behind to enjoy eating the kind of meal he can only enjoy when all of his friends are gone, an Indian paneer dish that Raj wouldn’t eat because he detests the food of his homeland and that Howard and Leonard couldn’t eat due to their respective allergies to peanuts and lactose. But Sheldon’s peaceful evening eating Indian food alone is ruined when he realizes he doesn’t have the keys to his apartment and has to squat at Penny’s until he super comes to let him in. The super never arrives, though, and Penny offers to let Sheldon sleep on her couch, which he refuses because “I have no intentions of living out E.M. Snickering’s beloved children’s book, The Tall Man from Cornwall,” in which a tall man tries to sleep on something too short for him, which Sheldon proceeds to demonstrate according to the rhyme. Penny allows him to sleep on her bed while she takes the couch, but when he can’t fall asleep, there arises my favorite thing in the Big Bang Theory canon: “Soft Kitty.”

Yes, he makes her sing him “Soft Kitty.” I never, ever, ever will tire of hearing a lullaby about a very touchable kitten sung to a grown man. Ever. In fact, I like this song so much that I will occasionally sing it to my cats. In fact, I’m going to post the first appearance of “Soft Kitty” on this show just because I want to press play:

In Vegas, Howard doesn’t really want to leave his room, preferring to cyberstalk Leslie and bemoan the end of their relationship while Raj and Leonard play video poker and drink cocktails. Raj is approached by a prostitute, which gives him the idea to hire a prostitute to make Wallowitz feel better. They decide to pay her for the Jewish girlfriend experience, and once they convince Howard to join them at the buffet, she reels him in by complaining that the caterers should have put out a brisket. After some time with “Esther Rosenblatt,” Howard approaches his friends to admit that they hired a prostitute for him, and, when they do, he expresses his total and complete gratitude.

Would it kill them to lay out a nice brisket?

Would it kill them to lay out a nice brisket?

There’s also a nice bit at the end of this episode that I hope gets followed up on. When Leonard returns from Vegas, he sees Sheldon coming out of Penny’s apartment, proclaiming that he now understands more about being friends with benefits (because Penny explained it to him), which clearly makes Leonard think that somehow, inexplicably, his social awkward friend has stolen his dreamgirl.

A couple of funny lines:


  • “Do you kind of look like a shiny Sheldon?” – Raj, in re: Sheldon’s resemblance to C-3PO in Sci-Fi 20 Questions
  • “You’re the milk thief! Leonard thought I was crazy, but I knew that carton felt light!” – Sheldon, in re: Penny occasionally entering their apartment to borrow sundries while they’re not home


And a bone to pick:


Seriously, BBT writers? You are writing a show about alleged geeks and geekery, and yet you insist on calling Twitter posts “Twitters” instead of “Tweets,” which is the actual term? You fucking fail on that count.

The Husband:

I have a different gripe as to where the BBT writers failed, and that would be during Sci-Fi 20 Questions. You are writing a show about alleged geeks and geekery, and yet you insist on them choosing easy, internationally recognized characters C-3PO and Mr. Spock. Come on, man. Even a minor Star Wars geek would pick somebody like, say, Wedge Antilles or Bail Organa. And this isn’t at all going into the Star Wars universe outside of the movies, where the guessing could actually get difficult. But C-3PO? A four-year-old could have guessed that. And people who hate Star Trek can guess Mr. Spock. Penny’s been hanging with these guys for a long enough time that Spock should have been one of her first guesses.

Fail.

The Wife:

One thing I’ve always appreciated about How I Met Your Mother is that it’s filled with callbacks for regular viewers, and I have to say that I was pleasantly amused by the callbacks in “The Three Days Rule,” as well as a callback on last night’s Big Bang Theory to what is undoubtedly my favorite thing ever to appear on the show. But as for tonight’s episode of HIMYM itself, it was pretty much a non-starting plot that led to an amusing “sexting” prank war between Ted, known to call women too soon, and Marshall and Barney, who pretend to be Ted’s most recent date in order to prevent him from calling her too soon. I’m usually not bothered by stuff that doesn’t advance the master plot about meeting the mother, and I certainly wasn’t bothered by this. However, with HIMYM, I prefer episodes that add to the overall plot of the series – be that Marshall and Lily’s adult responsibilities, Ted’s romantic quest or anything involving BRoLove. And this episode wasn’t any of those things. It was, however, totally funny. Why so funny? Let me count the ways:

1. Barney’s brief history of The Three Days Rule, which traces its origins to Our Lord and Savior Jesus Christ, who knew how to play to crowds and waited three days to resurrect himself because if he had just waited one day, like, nobody would have even known that he’d died. NPH’s delivery of this speech was amazing. In fact, when we have children, I think I shall make them listen to it every Easter as they stuff their little faces with pagan chocolate bunnies.

2. Ted’s naked lady laugh and its boundlessness. He will laugh at accidentally seeing Lily in the bathroom. He will laugh at National Geographic. And, my favorite, a faux-Picasso painting, with the addition of, “That’s a boobie.”

3. When Robin realizes what Marshall and Barney are up to: “You sons of bitches. You’re Holly.”

4. The Return of Ted’s Red Cowboy Boots! I’m so glad that Marshall and Barney came up with a way to get Ted to put those on. So, so glad.

5. Ted’s revenge texting scheme: telling Marshall and Barney that he has gay dreams about his best friend, causing the two of them to wonder which of them Ted would rather have sex with.

Why do we keep wanting to have sex with Ted?

Why do we keep wanting to have sex with Ted?

6. Marshall’s speech about his cuddliness. I wish I had written this whole thing down, but I was too excited by its inclusion that I kept tapping my husband exclaiming, “YOU HAVE TO PUT THAT ON A TEE SHIRT!!!” As such, all I was able to write down was the excellent end line to that speech: “I’m cuddly, bitch! Deal with it!” And so the similarities between my husband and Marshall continue. He is a cuddly motherfucker, and you just have to fucking deal with it.

7. “The machines are forcing you. They wanna watch. That’s just how they get down.” – Barney, explaining the scenario Marshall concocts to get Ted’s answer about which one of them he’d rather have sex with when the inevitable robot uprising occurs.

8. Stan. This dude is the mack daddy of sending sexy texty texts, sending ladies snippets of Pablo Neruda, which we know Ted loves from “The Naked Man,” where his date, Vicky, proclaims she hates Neruda because it’s all in Mexican and she prefers the poetry of Jewel, who has crooked teeth and lived in her car, so, you know, she’s got stuff to write about. This was an even better callback for me that I bet a lot of people missed because they were too busy focusing on how awesome Stan is. Stan is so the mack daddy of sexting that Marshall and Barney both fall in love with him a little bit, but he ultimately ditches them to go on a date with Robin. That dude is gonna be legendary. Just you wait.

On another note, Cobie Smulders is now so pregnant that flowy tops just aren’t working anymore. I bet that when Alyson Hannigan returns, Robin will be confined to the booth or her morning news program that nobody watches while Lily gets to do all the walking around, sans flowy tops and giant handbags. Also, I’m not the only one waiting for a baby Satyana Denisof cameo, right?

The Husband:

You know that guy, Stan? Played by the omnipresent Kevin Michael Richardson. Now, on look alone, you may remember him as Rockefeller Butts (best name ever) on ABC’s short-lived non-laugh track sitcom The Knights of Prosperity, but did you know that he is one of the most high-profile and prolific voice artists out there?

Go ahead. Click on his IMDB page. I dare you. Your mind will explode.

You may notice that, amidst all those voices, he not only did Goro in the Mortal Kombat movie, but he was also Deus Ex Machina in The Matrix Revolutions, and if you remember that scene, you know that he is the baddest muthaeffa of them all.

Besides, I think if there were a battle between animated show voices, Mr. Richardson would whoop some ass.

The Wife:

It’s “Anything Can Happen Thursday,” the third Thursday of the month where the gang tries to break Sheldon’s habitual nature by declaring that for one day of the entire month, anything can happen. And it indeed does: ordering Thai food instead of pizza, heading out to the comic book store, Penny joining them at the comic book store, Penny meeting store owner Stuart and going on a date with him, Sheldon cockblocking Penny by interrogating Stuart about who should succeed Batman . . . see! Anything can happen!

Because Penny takes a shining to Stuart, Leonard spends the rest of this episode moping about why Penny would be attracted to Stuart, but not to him, seeing as they’re basically the same person. I have an answer to that: Stuart is an artist. As such, he understands things outside of the realm of geekdom, and Penny probably feels that she, as a struggling actress, can relate to him on that level. He invites her to his art opening – and that’s just a little bit more in the realm of normalcy than Leonard and his friends can hope to obtain. (It probably helps, too, that he doesn’t live with Sheldon.) It’s really too bad that Sheldon goes and cockblocks this relationship, because I like Stuart, too. I hope he goes out with Penny again because he’d definitely be a welcome guest star.

Please give this man a multi-episode arc!

Please give this man a multi-episode arc!

To cope with Stuart’s presence in Penny’s life, Leonard breaks Friday night tradition and goes out to a bar with Raj and Howard, where he discovers the sad truth that, for all Howard’s ladies’ man bravado, he actually has no idea how to score with women. The only one of the three that gets a hook up is Raj who, after being trashed on Brandy Alexanders, hooks up with a big beautiful blonde. I am disappointed at the look of horror on his face the next morning when he wakes up in her arms because I’m not quite sure how to read the situation. That lady was certainly not fat or ugly. She was actually a really lovely girl, and totally proportional. I’m glad Raj settled back to sleep in her arms, because the idea of a dude who has to get drunk to talk to ladies balking at hooking up with a girl who isn’t model-thin would really piss me off. Still, why even have that look of discomfort? That actress was no bigger than Sarah Rue’s Stephanie, Leonard’s girlfriend that’s wandering around the parking lot of their apartment building, never to be seen again. And no one judged Stephanie for her size; why pass judgment on Raj’s hook-up? I dunno. Am I misreading that? Was he just looking to escape because he would have no idea what to say to her when not drunk? That’s the much nicer answer, because no one could hate a woman that pretty.

Funny things:

  • “Why don’t we call it Quanco and divide it into 19 hours of 17 minutes a piece?” – Sheldon, on how ridiculous he finds Anything Can Happen Thursday
  • The Wallowitz Coefficient: Neediness times dress size squared . . . okay . . . because of that line, I am now sure that Raj’s reaction to his hookup is because of her dress size. That’s fucking lame, and I now feel bad for thinking The Wallowitz Coefficient was even remotely funny.
  • “Like picking out a new cereal without knowing his fiber requirements . . . or his feelings for little marshmallows.” – Sheldon on picking out comic books for a thirteen-year-old boy he hasn’t met
  • The symphony of Wallowitz-Cooper “Got its” at the comic book store

The Husband:

I 100% back Sheldon up on quizzing Penny on what comic books her nephew may or may not like. I’m not much of a comic book reader, but I do occasionally delve into a graphic novel, and I know quite a bit about comic book mythology simply because of the company I keep. It’s not like one could just buy a thirteen-year-old boy any DVD within reach at Target, so why would comic books be any different? And Sheldon asked all the right questions. There are thousands of different stories out there, and they are absolutely intended for specific audiences.

Me, I would have said had the child not been a huge comic book fan, I would maybe start him off with some Green Lantern. I can’t really explain why, but it’s one of those great characters right in the middle of the pantheon of greats, and is a pretty good canvas on which to place your personality. But that may just be because my first memory of a comic book hero is Green Lantern.

And Stuart made the right decision to choose Hellblazer for the child, especially if he needs a bit more of an artistic stimulation and will branch out into the movie based on that series, Constantine.

But more importantly, Stuart himself. You will revel in the glory of Kevin Sussman, actor of Stuart, ex-boyfriend of Betty Suarez, and guardian of the wind!

(Go to duration 3:15 for earth-shattering awesomeness)

The Husband:

So right now, ABC’s Ugly Betty is on a mini-hiatus in order to allow Samantha Who? to finish its second season, as well as let In The Motherhood go through its entire six-episode first season. (Taking the FOX model of trying out six eps of a sitcom is actually pretty smart business, even if it is for a show that I keep accidentally calling Notes from the Underbelly, which is probably not a good sign.) This allowed me to catch up on the four backlogged Betty episodes that were sitting on my DVR, a pretty simple task considering how easy the show it to watch. But what’s been keeping me invested in this show, and, likewise, what issues do I have with the mini-run?

Matt

I love Matt. I think he’s a great foil for Betty, his relation to her industry allows for a type of romantic interaction missing from her Henry/Gio triangle (Henry worked at Meade, yes, but he was an accountant, so that doesn’t really count.) I think he’s a sweetheart, I think his bits of inner turmoil are entirely founded, and I like the way he is treated like an actual human being and not just a character cipher. When we last checked in on this blog, all we knew was that Matt was a sports journalist and cared very little about fashion. Now, we know he’s actually not only the heir to a disgustingly huge fortune, but he has so many notches on his bedpost that…some clever analogy. (Shut up! This is Ugly Betty.) And now, I think that he’s the best beau ever for Betty. Sorry, Gio fans, but I’m really pulling for Matt to become a major regular. Agree or disagree?

I think we need to talk about this obsession everyone has with this Gio person.

I think we need to talk about this obsession everyone has with this Gio person.

Christine Baranski

As Matt’s overbearing, snobbish and protective mother, Ms. Baranski fell right back into her glorious comfort zone after that appearance on The Big Bang Theory, which still annoys me to no end. She was completely miscast there. Here, she may be typecast, but it’s that wonderful kind of typecasting where it works perfectly. I desire more of her.

Ralph Macchio

He returned in a big way, finally bedding Hilda when she realizes that his clean-cut city councilman image may just be a cover for a badder boy underneath. Between this and Beer League and My Cousin Vinny, as well as his appearance on Broadway as J. Pierrepont Finch in How To Succeed In Business Without Really Trying (taking over for Matthew Broderick when he left the cast in the mid-90s), I don’t know why he doesn’t get more active work, or why he’s barely in films anymore. He still looks effortlessly young, still has the comic timing learned from Mr. Miyagi, and yet still looks like he came from the downtrodden wrong side of the tracks. It’s a good combo. Why can’t he be the “best friend” in an Ed Burns movie?

Bernadette Peters

She was used for about 45 seconds in one episode of the four. This is not proper usage of The Bern. Ultimate fail, UB.

Connor & Molly

So after all that love square madness between Connor, Molly, Daniel and Wilhelmina, Connor just suddenly decides to just up and leave in one episode, suddenly desiring to embezzle money from Meade Publications as well as try to steal Willy’s baby and leave the country. This twist came out of nowhere, was not in tune with the rest of his character, and made little to no sense. All it did was save the money it would take to pay the actor to show up to work. That’s the only thing I can figure out. It’s a shame that UB is having trouble keeping story arcs going this season, because the fact that they get completely abandoned every four episodes or so makes me not want to invest as much energy in this series as I assume they’d like. And giving Molly borderline inoperable cancer has, so far, been completely pointless as well. But at least she only disappeared for one episode and came back. The same can’t be said for Connor, despite showing up for a few seconds in a dream sequence.

Steven R. Schirripa

Eh, get a load of this guy here, eh?

Eh, get a load of this guy here, eh?

Between his appearance here as a competitive TV chef, SLOTAT‘s Sausage King and his TV food show that I’ve never heard of (thanks Wikipedia!), Steven R. Schirripa has effectively changed his typecast from mob family comic relief (Casino and The Sopranos) into being the go-to guy for any role revolving around food. I’m not sure if I’ve ever seen a shift like this, so it’s good that he’s a very amicable actor, both onscreen and on talk shows. It’s tough to not love that face.

Christina

I know that actress Ashley Jensen is on her way out at the end of the season and they have something big planned for her character, but that doesn’t mean that giving her about five lines over four episodes is allowable. She’s definitely in the top three best characters of the show, but you wouldn’t know it from the scripts. Fail.